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This series of serigraphs (screen prints) began in February
of 2006 and was inspired by Native American artwork, specifically
pottery, basket weaving and jewelry. The circular patterns derived
from this early artwork combines simplistic repetition with complex
geometry creating powerful symbolic images. The circle form has
always been significant to me because I consider it to be an
artistic and spiritual true shape. Circular objects including gears,
wheels, wire spools and machines running on steel wheels surround my
studio.
It is said
that in Native American designs, the perfect circle symbolizes the
spirit in its original form. This form may be either the male or the
female, and often a dot within the circle is used to indicate the
perfect union. This symbolism has influenced my work and helps to
bring balance and unity to my compositions.
My journey
into exploring indigenous artwork has led me down a path that has
humbled me and given me strength. I have no blood ties to Native
Americans; I am a mix of German, Irish and Hungarian. Initially I
hoped to communicate my appreciation of these designs in the medium
of meticulous serigraphs to others. I soon realized the power of
these designs. My goal with this series is to shine a light on this
visionary artwork by interpreting and recreating it in a way that is
respectful to the original artists and tribes. I am donating a
portion of my sales to the
Oglala
Lakota College in South Dakota.
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